In its fourth season finale, Game of Thrones writer-producers David Benioff and D.B. Weiss set several characters on brand new journeys. We’ll have to wait almost a year to see Arya and Tyrion reach their destinations, to see what Stannis does on the Wall, or to see Bran fly.
This episode was appropriately titled “The Children” for several reasons, though it relates most directly to the “young” girl that Bran, Meera, Jojen, and Hodor encounter north of the Wall. In this episode, Jon Snow uses his relation to his father, Ned Stark, to win the trust of Stannis Baratheon, who has saved the Night’s Watch from wildling attack. Cersei, a fierce protector of her children, fights for the right to stay by her only remaining son’s side. Daenerys is shamed into locking up two of her own children, the dragons Rhaegal and Viserion, after the child of one of her subjects is murdered by Drogon. Brienne fights the Hound for the right to protect the young Arya Stark, though Arya herself is trying to gain independence from her status as the unfortunate child of Ned and Catelyn Stark and set out on her own. Lastly, Tyrion finally acts as ruthless as his father, Tywin: “I have always been your son,” he says as he shoots his father with two bolts from Joffrey’s murderous crossbow.
“This whole season’s about learning hard lessons from your ruthless elders,” says writer-producer David Benioff. “The Children” focuses primarily on how two pupils, Arya and Tyrion, apply their lessons in mercilessness and set off on their own in the world.