In one of the final episodes of the season, “Eastwatch” sets up several unlikely confrontations for the few that remain. A caper is devised to convince the realm of the seriousness of the threat up North, while Littlefinger maneuvers the Stark sisters into a divisive battle. While we are treated to some unexpected reunions, the happy homecomings are cut short by “dark wings, dark words,” as Bran informs the realm that the White Walkers are on the move.
“The Spoils of War” is named most directly for the centerpiece of this week’s major conflict: the Lannister-led loot train heading to King’s Landing from Highgarden, weighed down with Tyrell gold and supplies. In a broader reading, the title is a double entendre for all that has been lost after years of conflict, the characters coming to terms with how they have been forever altered by war and suffering.
In the latest episode, appropriately titled “The Queen’s Justice,” Queen Cersei executes her brutal strategy to outwit and overpower her primary opponents. Typically, the King’s Justice is the title of the royal executioner, though the phrase can also refer to any actions taken to deliver justice in the name of the king (or queen, in this case).
Cersei, the first queen in the history of Westeros, looked tenuously positioned– until now. She made brutal strategic decisions to greatly diminish Daenerys’s allies and punish her enemies, even delivering the Queen’s justice herself. In one episode, she manages to eliminate both Myrcella’s and Joffrey’s poisoners; Queen’s justice, indeed. It’s been tempting to underestimate Cersei up until now, but this episode reminded us that a Lannister always manages to pay its debts, one way or another.
The second episode of the season continued the theme of Daenerys-related episode titles: the first, “Dragonstone,” was named after her birthplace and the site of her return to Westeros, while this episode, “Stormborn,” calls back to her birth itself.
Daenerys was born during Robert Baratheon’s rebellion against her father, the Mad King Aerys II. Her mother was sent to Dragonstone to give birth before King’s Landing was attacked, and a storm ended up destroying what was left of the Targaryen fleet. This helped speed along the defeat of the Mad King’s forces and the ousting of the Targaryen dynasty.
The circumstances of her birth and the events surrounding it are particularly important to understand on the cusp of her return to Westeros. Fittingly, “Stormborn” largely features the Westerosi reaction to an imminent Daenerys Targaryen invasion. She has never known Westeros, and they have never known her. She is stormborn, born during both a literal storm and a familial tragedy, yet she bears the nickname proudly. Will the bad omen of her birth come back to haunt her?
Note: Apologies for the delay in posting. Due to this season’s summer schedule, this episode and the next fall in the middle of my vacation. I will still post something for next week, but it will either be delayed or limited to the “Other Thoughts” section, depending on what I can pull off. Thanks in advance for sticking with me through these couple of weeks! I’ll be back in full form for the episode airing August 6.
In war, death is arbitrary and knows no bounds; the likable die as easily as the unlikable. Though a fantasy, Game of Thrones often draws better historical parallels than true historical fiction; it is raw, real, and complex, just like true times of war. Too often in fiction, protagonists are protected from any real harm even in times of chaos and danger. The risk to them is minimal, the stakes relatively low. One of the greatest conceits of Game of Thrones was established in the first season with Ned Stark’s surprising death: Valar Morghulis, “all men must die,” even your favorites.
In “Mother’s Mercy,” the Season 5 finale, the death toll soars, with many major characters offered up to the God of Death. Ironically, there is no peace or mercy of the Mother in this episode—not for anyone. Viewers were left reeling when the credits rolled on this season as one beloved character’s blood stained the snow, but there may be more to some of these deaths than meets the eye.
Power and control are the prizes awarded in this game of thrones. However, in the wake of Robert Baratheon’s death, no one has held onto the actual authority to wield that power unchallenged. In “The Gift,” the authority of many characters comes into question as they lose some of the control they worked so hard to acquire.
There are mutterings of dissent at the Wall as Jon Snow readies to bring all of the wildlings south to settle in the land known as The Gift. Sansa is once again stripped of much of her control, locked away and abused by her new husband, Ramsay Bolton. Stannis is losing men and beasts to the advancing winter and is unwilling to sacrifice for a greater assurance of victory. Daenerys struggles to control an insurrection against her authority by marrying into the local ruling elite and agreeing to reopen the fighting pits. Jaime cannot convince his daughter, Myrcella, to return to King’s Landing, and Lady Olenna is surprised how little authority she has over the High Sparrow. Worst of all, Cersei has given up all of her authority to the Faith Militant, assuming that she could control them. In the end, only Littlefinger may be left smiling in the chaos.
“Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail and never get to try again. The fall breaks them. And some are given a chance to climb, they cling to the realm or the gods or love. Only the ladder is real. The climb is all there is.” – Littlefinger – Season 3, Episode 6
In both continents, the seeds of rebellion have been properly sowed, with two parallel uprisings occurring in both Westeros and Essos. Perhaps now more than ever, the instability that so many have tried to tame to their will is too wild to control. “The Sons of the Harpy” sets the stage for the remainder of the season with a lot of explanation and backstory, and a hearty helping of bloodshed to spice things up.