Game of Thrones, Season 6, Television

Season 6, Episode 8: No One

In this latest episode, ironically titled “No One,” characters throughout the land reclaim their identities and humanities. Over the years, inspired by Brienne, Jaime has found a sense of honor worthy of his true name, not the Kingslayer moniker that labeled him with disrepute. In this episode, Jaime may pretend to be the Kingslayer in his words to Edmure Tully, but his actions fulfill a long-held duty not only to Cersei, but also to Brienne and the late Catelyn Stark.

The former queen Cersei chooses not to give up the fight for her life and the life of her last remaining child. Even as her son outlaws trial by combats, she makes a clear choice: “I choose violence,” she tells Lancel and the Faith Militant, and though we only see one of their deaths, we can be sure that Cersei will continue to choose violence if it means protecting herself and her son. “Catelyn and Cersei… they’d do anything to protect their babies: start a war, burn cities to ash, free their worst enemies,” Jaime tells Edmure. Cersei has been pushed aside for too long. This is the episode where she reasserts the only kind of power she believes in: power, pure and simple. “Power is power.”

In Meereen, Greyworm and Missandei find their humanity in humor, laughing and smiling for what feels like the first time in their lives. Both of them—Greyworm especially—have been deprogrammed of their selves for their whole lives. Over time, with the help of Daenerys and now Tyrion, they are figuring out how to become someone more than a mindless cog in someone else’s machine.

Sandor Clegane is still searching for his larger purpose, but rediscovers his true nature as the Hound. For some time now, he has ignored his instincts and sought to live in peace, chopping wood for a rural septon and his followers. After last week’s massacre, the Hound emerges once again as he uses his superior skills of violence to get revenge on the rogue members of the Brotherhood Without Banners.

Finally, Arya has at long last stopped pretending to be anyone other than Arya Stark of Winterfell, running from her family and her past. She refuses to be No One, as the Faceless Men (seemed to have) wanted. She reclaims her true identity and sets on a path towards home.

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Game of Thrones, Season 6, Television

Season 6, Episode 7: The Broken Man

The characters in Game of Thrones have suffered a lot over the years. Most are almost unrecognizable to their former selves. This episode’s title, “The Broken Man,” may be referring most specifically to the surprising return of Sandor Clegane (the Hound), but many other men and women bear this title, as well. One of the most important themes of the series is that war is awful business. George R.R. Martin was a conscientious objector in Vietnam and has spoken out against the glorification of war in other fantasy series. None of his characters escape the damaging effects of war.

In this episode, Jon Snow, still reeling from his murder, is unable to articulate the importance of his cause to the wildlings and minor Northern houses. He needs the help of Tormund, Sansa, and most importantly Ser Davos to sell a cause for which he once argued passionately.

Theon and Jaime have both been physically broken, a trauma that has similarly marked their psyches for life. Jaime wears his father’s armor (or something made to look like it) and plays the part of stern commander, but he is missing more than a sword hand in his limp confrontation with the Blackfish at Riverrun. Theon’s sister, Yara, does not understand what it means to be abused and urges him to find himself, not realizing that a broken man cannot just flip a switch to be healed again.

Sansa also carries around the trauma she suffered at the hands of Ramsay, using it to fuel her quest for vengeance on the Boltons. She tells Lyanna Mormont, “I did what I had to do to survive, my lady. But I am a Stark. I will always be a Stark.” Her sister, who only recently realized the same, is physically broken in this episode. Stabbed and left for dead, Arya searches the unfriendly Braavosi faces and finds no help or sympathy.

Finally, Margaery plays the part of a broken woman in her complete conversion to the Faith. Unlike the other characters, she has not actually been broken, but pretends to be in order to play the High Sparrow. Even her grandmother fears for her until Margaery is able to slip her a reassuring drawing of their house rose. She is still a Tyrell, and as their house motto goes, she is “growing strong.”

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Game of Thrones, Season 6, Television

Season 6, Episode 3: Oathbreaker

In “Oathbreaker,” Game of Thrones continues to explore the theme of multiple perspectives, challenging conventional assumptions of right and wrong, good and bad. The show has never focused on the single-sided narrative, but it has leaned heavily on the notion that the Starks and their noble history is largely unassailable. In this episode, the writers challenge even that history, showing how all characters exist in a grey area—even the honorable Ned Stark.

When Varys captures an agent of the Sons of the Harpy, he listens to her side before offering his own. “Well, that makes perfect sense from your perspective. I have a different perspective, of course. I think it’s important that you try to see things from my perspective, just as I will try to see them from yours,” he says. The High Sparrow does something very similar with King Tommen, mollifying the innocent young ruler by showing sympathy for his point of view without yielding an inch.

Among the Dothraki, the high priestess of the dosh khaleen reminds Daenerys that she, too, thought of herself as the khaleesi to conquer the world; from her view, the mother of dragons is simply another widowed khaleesi who has broken the rules.

Meanwhile, Jon Snow reawakens to confront his murderers and their hatred of him. “I did what I thought was right and I got murdered for it.” He is shaken by this fact and the notion that many of his brothers view him as a traitor, not a savior. If his murderers already regard him as an oathbreaker, Jon decides to assume that mantle completely and end his service to the Night’s Watch.

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Game of Thrones, Season 5, Television

Season 5, Episode 10: Mother’s Mercy

In war, death is arbitrary and knows no bounds; the likable die as easily as the unlikable. Though a fantasy, Game of Thrones often draws better historical parallels than true historical fiction; it is raw, real, and complex, just like true times of war. Too often in fiction, protagonists are protected from any real harm even in times of chaos and danger. The risk to them is minimal, the stakes relatively low. One of the greatest conceits of Game of Thrones was established in the first season with Ned Stark’s surprising death: Valar Morghulis, “all men must die,” even your favorites.

In “Mother’s Mercy,” the Season 5 finale, the death toll soars, with many major characters offered up to the God of Death. Ironically, there is no peace or mercy of the Mother in this episode—not for anyone. Viewers were left reeling when the credits rolled on this season as one beloved character’s blood stained the snow, but there may be more to some of these deaths than meets the eye.

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Game of Thrones, Season 5, Television

Season 5, Episode 6: Unbowed, Unbent, Unbroken

With the season already more than half over, it’s interesting to see how far the characters have come since we started. Arya and Tyrion are both a whole continent away; Arya, an initiate of the band of assassins known as the Faceless Men, and Tyrion, a captive again, yet still on the road to Meereen. Jaime is in enemy territory, hoping to rescue his niece/daughter Myrcella from Dorne. Thanks to Cersei, Queen Margaery and her brother are in jail. And thanks to Littlefinger, Sansa has married her second so-called “monster”– this time, a real one.

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Game of Thrones, Season 4, Television

Season 4, Episode 10: The Children

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In its fourth season finale, Game of Thrones writer-producers David Benioff and D.B. Weiss set several characters on brand new journeys. We’ll have to wait almost a year to see Arya and Tyrion reach their destinations, to see what Stannis does on the Wall, or to see Bran fly.

This episode was appropriately titled “The Children” for several reasons, though it relates most directly to the “young” girl that Bran, Meera, Jojen, and Hodor encounter north of the Wall. In this episode, Jon Snow uses his relation to his father, Ned Stark, to win the trust of Stannis Baratheon, who has saved the Night’s Watch from wildling attack. Cersei, a fierce protector of her children, fights for the right to stay by her only remaining son’s side. Daenerys is shamed into locking up two of her own children, the dragons Rhaegal and Viserion, after the child of one of her subjects is murdered by Drogon. Brienne fights the Hound for the right to protect the young Arya Stark, though Arya herself is trying to gain independence from her status as the unfortunate child of Ned and Catelyn Stark and set out on her own. Lastly, Tyrion finally acts as ruthless as his father, Tywin: “I have always been your son,” he says as he shoots his father with two bolts from Joffrey’s murderous crossbow.

“This whole season’s about learning hard lessons from your ruthless elders,” says writer-producer David Benioff. “The Children” focuses primarily on how two pupils, Arya and Tyrion, apply their lessons in mercilessness and set off on their own in the world.

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Game of Thrones, Season 4, Television

Season 4, Episode 8: The Mountain and the Viper

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In one of the most anticipated episodes of the season, aptly titled “The Mountain and the Viper,”Game of Thrones takes another look at the power of families. “Family, honor, all that horseshit. It’s all you lords and ladies ever talk about,” the Hound says to Arya. What he doesn’t acknowledge is the overwhelming affect that families have– not only on the course of events in Westeros, but also over the individuals within.

For starters, Gilly’s very life is spared because Ygritte finds her with baby Sam in her arms and takes pity. Grey Worm and Missandei, who never had an opportunity to really know their own families, are beginning to cultivate a relationship and find comfort in each other. For Ramsay Snow, the bastard of Roose Bolton, it means so much to be officially acknowledged as a Bolton: heir to the North, but more importantly, a legitimate member of the family. Theon uses his family name to invade and influence the otherwise-impregnable Moat Cailin and the immovable Greyjoy forces stationed within. Sansa reveals her family name in order to gain the confidence and compassion of the powerful lords of the Vale, but later sheds the Stark name in order to take on a new identity that is all her own. Tyrion and Jaime bond as brothers right before the trial by combat, and Oberyn Martell fights bravely because he demands justice– not for Tyrion, but for his sister. In the game of thrones, family is an important, ever-present source of power.

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